KATE AUNGIER

AMC’s Into the Badlands season 3 much like season 2 was action packed and full of interesting makes. It was a pleasure to work with an amazing crew and be part of such a fun show. The images here are really only a taste of the work created during the making of this season. Season 3 has new characters, new locations and plenty of new weapons.

Little dead robins made for the stage adaption of Grief is the thing with feathers.

I made 4 complete robins, 7 with removable heads and 23 spare heads as they were to be bitten off by Cillian Murphy and spat into the audience therefore could easily get lost.

sculpt, molding, feather work and painting- by me.

Grief is the thing with feathers by Max Porter, adapted by Enda Walsh and produced by Complicite and Wayward Productions.

Season 2 of AMC'S Into The Badlands. Into The Badlands is a prop builders dream, the show was incredibly prop heavy and as a team we created hundreds of props from rubber stunt weapons to large set decoration pieces. The images here are a snap shot of the large body of work created over the shooting of the series.  

While working on this project, we were tasked with making weapons and props for different tribes while staying true to the time period and materials that would have been available. One of our other main tasks in the short period of time we had on this job was to create dead animals that could be carried on the backs of hunters and move realistically. 

While working in the animals my main task was doing the hair work, all of the animals were created with using a combination of electrostatic flocking, Fur patterning, hair laying and hair punching.

While working on Penny Dreadful season 3 I made and assisted on a large body of props, prop weapons and other set decoration elements.

Many of the weapons used on the show required plastic and rubber copies alongside shortened blades for stunts and safety. The replica weapons were moulded, cast and painted to match the hero version.

The Alienist is a television series created by TNT and available on Netflix based on the best selling book by Caleb Carr.

Although the series was shot in Budapest some of the backlot props were made in Ireland.

I along side a team molded, cast and painted non-perishable foods to fill the delicatessens and food stalls of the late 19th Century New York backlot.

Two 1:100 and 1:150 Battersea Power Station Redevelopment Models. These scale models involved working with 3d prints, laser cut elements, Model construction and finishing detail.

A 1:250 scale representation of The Frythe. On this project I assembled and fitted laser cut house and windows. I also worked on other elements such as roof fitting and finishing. The landscaping was also mainly done by myself using site images and other aids such as google/bing maps.

The Drinks A curse was a 1:6 scale stop motion set of a an Irish Bar. This was my final year project in IADT.

A mixture of projects and mould images.